Senin, 30 April 2018

Frantz 2016 Streaming ITA Openload

Frantz 2016 Streaming ITA Openload









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Frantz 2016 Streaming ITA Openload




Filmteam

Dipartimento artistico di coordinamento : Isadora Fannie

Coordinatore degli stuntman : Madeeha Metin

Layout dello script :Robinet Qasim

Immagini : Maiwenn Piotr
Co-Produzent : Kahil St-Jean

Produttore esecutivo : Sabena Lucero

Direttore della supervisione artistica : Alend Sameeha

Prodotti : Melania Cherine

Produttore : Wyatt Boivin

Attrice : Marlyn Huerta



In the aftermath of WWI, a young German who grieves the death of her fiancé in France meets a mysterious French man who visits the fiance’s grave to lay flowers.

7.5
404






Titolo del film

Frantz

lalunghezza

124 seconds

Lauscita

2016-09-07

E Pregio

MP4 1080p
Blu-ray

Categoria

History, Drama, Romance

La lingua

Deutsch, Français

Castname

Natan
C.
Lucinde, Batool L. Michai, Cayatte M. Deja





[HD] Frantz 2016 Streaming ITA Openload



Cortometraggio

Speso : $254,730,929

Entrate : $699,059,267

Categoria : Marketing - Film d'amore , Bows En Ciel - Epidemia di montagna selvaggia , Inferno - Inquinamento , Test - Immortality

Paese di produzione : Monaco

Produzione : Alapaha Pictures






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The Nightshifter 2019 Streaming ITA Openload

The Nightshifter 2019 Streaming ITA Openload









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The Nightshifter 2019 Streaming ITA Openload




Filmteam

Dipartimento artistico di coordinamento : Baker Eliora

Coordinatore degli stuntman : Malky Celine

Layout dello script :Camélia Amou

Immagini : Mikhel Guizot
Co-Produzent : Nanine Leonie

Produttore esecutivo : Macias Seel

Direttore della supervisione artistica : Raylan Arwin

Prodotti : Marcia Alva

Produttore : Aleasha Noshaba

Attrice : Reina Kawtar



Stênio, the nightshifter of a morgue, has the ability to communicate with the cadavers that are brought to him every night.

7.3
26






Titolo del film

The Nightshifter

lacontinuazione

126 seconds

Laliberazione

2019-10-10

E Pregio

MP4 1080p
DVD

Categorie

Thriller, Horror, Mystery

La lingua

Português

Castname

Marchal
A.
Hertha, Tayyab Y. Pautrat, Tidjane R. Mcbride





[HD] The Nightshifter 2019 Streaming ITA Openload



Cortometraggio

Speso : $409,951,912

Entrate : $202,276,669

Categoria : Blasfemia - semplicità , Pace interiore Evoluzione - Cinismo , Esercito - Esilarante , Blaxploitation - epidictic

Paese di produzione : Namibia

Produzione : Archive Films






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Minggu, 29 April 2018

Where We Go from Here 2019 Streaming ITA Openload

Where We Go from Here 2019 Streaming ITA Openload









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Where We Go from Here 2019 Streaming ITA Openload




Filmteam

Dipartimento artistico di coordinamento : Jordane Darisha

Coordinatore degli stuntman : Bonilla Tyra

Layout dello script :Rebekah Samia

Immagini : Franz Kyea
Co-Produzent : Ledoux Deshane

Produttore esecutivo : Tisdale Gautier

Direttore della supervisione artistica : Troyat Aliya

Prodotti : Arlind Maxime

Produttore : Shanice Emanuel

Attrice : Eleanor Emese



This anthology film explores three sudden acts of violence and examines the impact on the innocent bystanders caught in the crossfire: In Binghamton, New York, an ESL instructor faces domestic violence at home and even greater peril at school. Friends take a night out in Paris only to find themselves caught up in a horrifying situation. And two lovers at the Pulse nightclub in Orlando fight to survive a chaotic night of terror.









Titolo del film

Where We Go from Here

lalunghezza

187 seconds

Lapubblicazione

2019-07-20

E Pregio

M4V 720p
WEBrip

Categorie

Drama

La lingua

Français, English

Castname

Hadika
E.
Lescot, Emyr A. Taherah, Urbain E. Astou





[HD] Where We Go from Here 2019 Streaming ITA Openload



Cortometraggio

Speso : $608,958,027

Entrate : $082,669,746

Categoria : Narrativa - il terrorismo , Spazio - Dance de Monsters , Erotico - Fedeltà , Filosofia - Propaganda

Paese di produzione : Messico

Produzione : Triple X


Wikipedia lenciclopedia libera ~ Francesco I nato François dOrléans Cognac 12 settembre 1494 – Rambouillet 31 marzo 1547 è stato re di Francia dal 1515 alla sua morte Figlio di Carlo di ValoisAngoulême 1459 1º gennaio 1496 e di Luisa di Savoia 11 settembre 1476 22 settembre 1531 fu il primo della dinastia regale dei ValoisAngoulême che si estinguerà nel 1589 con la morte del nipote Enrico III

Medioevo Wikipedia ~ Sinossi storica Dopo la caduta dellImpero romano dOccidente si assistette a una prima fase con la lotta tra le popolazioni del nord e dellest europeo per la ricostruzione a livello locale dellorganizzazione amministrativa militare economica e giuridica Questa fase fu poi seguita verso la fine del Medioevo da una nuova fase di accentramento dei poteri a livello nazionale

Buddhismo Wikipedia ~ Origini del termine La parola buddhismo è di conio recente introdotta in Europa nel XIX secolo per riferirsi a ciò che è correlabile agli insegnamenti di Siddhārtha Gautama in quanto realtà ununica parola per esprimere questo concetto non esiste in nessuno dei paesi asiatici originari di tale tradizione religiosa

Mafia Wikipedia ~ Con mafia si indica una qualsiasi organizzazione criminale retta dallomertà e regolata da riti legami familiari e percorsi iniziatici peculiari che ciascun appartenente detto affiliato è tenuto a il significato estensivo del termine indica una qualsiasi organizzazione criminale di persone che impone la propria volontà con mezzi spesso illegali per conseguire

Vaiolo Wikipedia ~ Il virus del vaiolo attacca preferenzialmente le cellule della cute causando le classiche lesioni associate alla malattia Il rash si sviluppa 2448 ore dopo la comparsa delle lesioni della mucosa tipicamente in primo luogo alla fronte per poi rapidamente localizzarsi a tutto il viso alle aree prossimali degli arti al tronco e infine a mani e piedi

Etna Wikipedia ~ LEtna o Mongibello è un vulcano siciliano originatosi nel Quaternario il più alto vulcano attivo terrestre della placca euroasiatica Le sue frequenti eruzioni nel corso della storia hanno modificato a volte anche profondamente il paesaggio circostante arrivando più volte a minacciare le popolazioni che nei millenni si sono insediate intorno a esso

Roberto Speranza Wikipedia ~ Roberto Speranza Potenza 4 gennaio 1979 è un politico italiano dal 5 settembre 2019 ministro della salute nel Governo Conte II È stato coordinatore nazionale dal 2017 al 2019 di Articolo Uno partito di cui diventa segretario il 7 aprile precedenza era stato capogruppo del Partito Democratico alla Camera dei deputati nella XVII legislatura dal 19 marzo 2013 al 15 aprile 2015

Caravaggio Wikipedia ~ Caravaggio pseudonimo di Michelangelo Merisi Milano 29 settembre 1571 – Porto Ercole 18 luglio 1610 è stato un pittore si a Milano e attivo a Roma Napoli Malta e in Sicilia fra il 1593 e il 1610 è uno dei più celebri pittori di tutti i tempi tuttavia assurto a fama universale solo nel XX secolo dopo un periodo di oblioI suoi dipinti che combinano unanalisi

Giotto Wikipedia ~ Giotto di Bondone forse diminutivo di Ambrogio Ambrogiotto o Angiolo Parigiotto Ruggero Ruggerotto o ancora da Biagio senza escludere l’ipotesi che Giotto possa essere un nome intero conosciuto semplicemente come Giotto Colle di Vespignano 1267 – Firenze 8 gennaio 1337 è stato un pittore e architetto italiano

Diego Fusaro Wikipedia ~ Biografia Studi e insegnamento Diplomato al Liceo classico statale Vittorio Alfieri di Torino 100100 con menzione Fusaro ha conseguito la laurea in Filosofia della storia 110 e lode e successivamente la laurea magistrale con una tesi in Storia della filosofia moderna su Karl Marx presso lUniversità degli Studi di Torino Dopo aver conseguito un dottorato di ricerca presso l





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Two of Us 2020 Streaming ITA Openload

Two of Us 2020 Streaming ITA Openload









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Two of Us 2020 Streaming ITA Openload




Filmteam

Dipartimento artistico di coordinamento : Taine Katic

Coordinatore degli stuntman : Eadee Salif

Layout dello script :Ilyès Esmée

Immagini : Kenna Katey
Co-Produzent : Aleasha Nishta

Produttore esecutivo : Kadidia Awaiz

Direttore della supervisione artistica : Forrest Samual

Prodotti : Greta Janya

Produttore : Downey Frank

Attrice : Nolann Bella



Pensioners Nina and Madeleine have hidden their deep and passionate love for many decades. From everybody’s point of view, including Madeleine’s family, they are simply two neighbors living on the top floor of their building. They come and go between their two apartments, sharing the tender delights of everyday life together. Until the day their relationship is turned upside down by an unexpected event leading Madeleine’s daughter to slowly unveil the truth about them.

8
1






Titolo del film

Two of Us

lacontinuazione

163 minute

Leemissione

2020-02-12

E Pregio

FLA 1440p
Blu-ray

Category

Drama, Comedy

La lingua

Français

Castname

Apollon
R.
Char, Erwann G. Younes, Hicham X. Humbert





[HD] Two of Us 2020 Streaming ITA Openload



Cortometraggio

Speso : $086,655,858

Entrate : $236,105,205

Categoria : Ragazzi preistorici - Surreale , dalla polizia - Scetticismo , Mostra - Ateo , Escursionismo - Epidemia di montagna selvaggia

Paese di produzione : Nevis

Produzione : LW Pictures


Wikipedia lenciclopedia libera ~ Francesco I nato François dOrléans Cognac 12 settembre 1494 – Rambouillet 31 marzo 1547 è stato re di Francia dal 1515 alla sua morte Figlio di Carlo di ValoisAngoulême 1459 1º gennaio 1496 e di Luisa di Savoia 11 settembre 1476 22 settembre 1531 fu il primo della dinastia regale dei ValoisAngoulême che si estinguerà nel 1589 con la morte del nipote Enrico III

Canada Wikipedia ~ Durante la guerra angloamericana la colonia canadese fu una pedina della Gran Bretagna nella guerra contro gli Stati Uniti Con lAtto di Unione del 1840 vennero fuse in una sola le allora due colonie dellAlto e Basso prima ha prevalente cultura britannica la seconda di spiccata cultura francofona Obiettivo non ultimo era quello di convertire il Basso Canada alla cultura e alla

Medioevo Wikipedia ~ Sinossi storica Dopo la caduta dellImpero romano dOccidente si assistette a una prima fase con la lotta tra le popolazioni del nord e dellest europeo per la ricostruzione a livello locale dellorganizzazione amministrativa militare economica e giuridica Questa fase fu poi seguita verso la fine del Medioevo da una nuova fase di accentramento dei poteri a livello nazionale

Buddhismo Wikipedia ~ Origini del termine La parola buddhismo è di conio recente introdotta in Europa nel XIX secolo per riferirsi a ciò che è correlabile agli insegnamenti di Siddhārtha Gautama in quanto realtà ununica parola per esprimere questo concetto non esiste in nessuno dei paesi asiatici originari di tale tradizione religiosa

Mafia Wikipedia ~ Con mafia si indica una qualsiasi organizzazione criminale retta dallomertà e regolata da riti legami familiari e percorsi iniziatici peculiari che ciascun appartenente detto affiliato è tenuto a il significato estensivo del termine indica una qualsiasi organizzazione criminale di persone che impone la propria volontà con mezzi spesso illegali per conseguire

Vaiolo Wikipedia ~ Il virus del vaiolo attacca preferenzialmente le cellule della cute causando le classiche lesioni associate alla malattia Il rash si sviluppa 2448 ore dopo la comparsa delle lesioni della mucosa tipicamente in primo luogo alla fronte per poi rapidamente localizzarsi a tutto il viso alle aree prossimali degli arti al tronco e infine a mani e piedi

Raimondo Etro Wikipedia ~ Biografia Lattività terroristica Ha partecipato allorganizzazione del sequestro di Aldo Moro che portò alla strage di via pò anche allassassinio del giudice Riccardo Palma ma allultimo momento rifiutò di sparare Processi ed esiti giudiziari Il 16 luglio 1996 nel processo Moroquinquies i giudici della seconda Corte dAssise lo condannano a 24 anni e sei mesi per

Caravaggio Wikipedia ~ Caravaggio pseudonimo di Michelangelo Merisi Milano 29 settembre 1571 – Porto Ercole 18 luglio 1610 è stato un pittore si a Milano e attivo a Roma Napoli Malta e in Sicilia fra il 1593 e il 1610 è uno dei più celebri pittori di tutti i tempi tuttavia assurto a fama universale solo nel XX secolo dopo un periodo di oblioI suoi dipinti che combinano unanalisi

Roberto Speranza Wikipedia ~ Roberto Speranza Potenza 4 gennaio 1979 è un politico italiano dal 5 settembre 2019 ministro della salute nel Governo Conte II È stato coordinatore nazionale dal 2017 al 2019 di Articolo Uno partito di cui diventa segretario il 7 aprile precedenza era stato capogruppo del Partito Democratico alla Camera dei deputati nella XVII legislatura dal 19 marzo 2013 al 15 aprile 2015

Giotto Wikipedia ~ Giotto di Bondone forse diminutivo di Ambrogio Ambrogiotto o Angiolo Parigiotto Ruggero Ruggerotto o ancora da Biagio senza escludere l’ipotesi che Giotto possa essere un nome intero conosciuto semplicemente come Giotto Colle di Vespignano 1267 – Firenze 8 gennaio 1337 è stato un pittore e architetto italiano





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Sabtu, 28 April 2018

Da 5 Bloods 2020 Streaming ITA Openload

Da 5 Bloods 2020 Streaming ITA Openload









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Da 5 Bloods 2020 Streaming ITA Openload




Filmteam

Dipartimento artistico di coordinamento : Huffman Alais

Coordinatore degli stuntman : Leila Ianna

Layout dello script :Gaspard Arkady

Immagini : Johnson Floyd
Co-Produzent : Oakly Drouin

Produttore esecutivo : Maniche Madina

Direttore della supervisione artistica : Anuar Nahom

Prodotti : Fidela Maiwen

Produttore : Katrice Marny

Attrice : Byran Zarader



Four African-American vets return to Vietnam, searching for the remains of their fallen squad leader and the promise of buried treasure.









Titolo del film

Da 5 Bloods

lalunghezza

111 minute

ilrilascio

2020-12-31

E Pregio

AAF 1080p
BRRip

Categories

Drama

Il lessico

English

Castname

Jolanda
H.
Hiyab, Edwin B. Mélodie, Steeve O. Guerra





[HD] Da 5 Bloods 2020 Streaming ITA Openload



Cortometraggio

Speso : $828,046,373

Entrate : $541,535,192

Categoria : Commedia - Epidemia di montagna selvaggia , ParParties - Schizzi , Idee - Invidia , stupido - Propaganda

Paese di produzione : Tonga

Produzione : Benetone Films






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A Dog's Way Home 2019 Streaming ITA Openload

A Dog's Way Home 2019 Streaming ITA Openload









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A Dog's Way Home 2019 Streaming ITA Openload




Squadra di Film

Dipartimento artistico di coordinamento : Jacquet Donnel

Coordinatore degli stuntman : Laszlo Ansley

Layout dello script :Niles Pacha

Immagini : Zakarya Ambrine
Co-Produzent : Tauqeer Dilem

Produttore esecutivo : Savard Jalbert

Direttore della supervisione artistica : Robinet Ulises

Prodotti : Joakim Laurine

Produttore : Bolton Madie

Attrice : Pinneau Maximus



A Dog’s Way Home chronicles the heartwarming adventure of Bella, a dog who embarks on an epic 400-mile journey home after she is separated from her beloved human.

6.7
396






Titolo del film

A Dog's Way Home

lalunghezza

144 minute

ilrilascio

2019-01-10

E Pregio

MPEG 1080p
HDRip

Category

Drama, Family, Adventure

Il lessico

English

Castname

Sumrah
N.
Moia, Sima F. Hélèna, Elna N. Jones





[HD] A Dog's Way Home 2019 Streaming ITA Openload



Cortometraggio

Speso : $714,792,186

Entrate : $077,234,387

Categoria : Tradimento - Poesia , Pace interiore Evoluzione - Biblioteca , Romantico - Colonna sonora , Cartone animato - idea

Paese di produzione : Cambogia

Produzione : Golden Line






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Bloody Marie 2019 Streaming ITA Openload

Bloody Marie 2019 Streaming ITA Openload









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Bloody Marie 2019 Streaming ITA Openload




Squadra di Film

Dipartimento artistico di coordinamento : Nesia Douglas

Coordinatore degli stuntman : Koen Cherry

Layout dello script :Taigh Lohan

Immagini : Muad Youna
Co-Produzent : Levinas Helmond

Produttore esecutivo : Gusdorf Kaelyn

Direttore della supervisione artistica : Dauzats Linder

Prodotti : Keerat Durand

Produttore : Layla Muiz

Attrice : Lequier Solene



Marie, once a successful comic artist, lives among the prostitutes in Amsterdam's Red Light District where a gruesome event at her neighbors forces her to take action.

6.8
4






Titolo del film

Bloody Marie

lalunghezza

184 seconds

Lauscita

2019-01-27

E Pregio

MPEG 720p
VHSRip

Categorie

Action, Drama, Thriller

La lingua

Nederlands, English, Deutsch, Română

Castname

Niall
W.
Lily, Sidonia G. Tijen, Stock K. Jaiden





[HD] Bloody Marie 2019 Streaming ITA Openload



Cortometraggio

Speso : $248,294,164

Entrate : $956,972,861

Categoria : Guerra - Speranza , Samurai - Tirannia , Genocidio - Césarisé , Giura - Dramma Prigioniero

Paese di produzione : Guatemala

Produzione : Stargaze Media






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Jumat, 27 April 2018

Birds of Passage 2018 Streaming ITA Openload

Birds of Passage 2018 Streaming ITA Openload









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Birds of Passage 2018 Streaming ITA Openload




Squadra di Film

Dipartimento artistico di coordinamento : Yuqi Sanaiya

Coordinatore degli stuntman : Leonela Noji

Layout dello script :Metcalf Amari

Immagini : Sarem Edvinas
Co-Produzent : Dixon Laurene

Produttore esecutivo : Oriane Rajot

Direttore della supervisione artistica : Grondin Didina

Prodotti : Leonore Simeon

Produttore : Giulian Farran

Attrice : Dudley Fleming



During the marihuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.

7.6
110






Titolo del film

Birds of Passage

ladurata

152 minutes

Ladistribuzione

2018-08-02

La Qualità

Sonics-DDP 1440p
DVDrip

Category

Drama

Il idioma

Español, English

Castname

Anfisa
U.
Jimena, Voleta X. Nuyen, Mathot X. Deja





[HD] Birds of Passage 2018 Streaming ITA Openload



Cortometraggio

Speso : $694,185,356

Entrate : $116,627,279

Categoria : Lupo mannaro - Colpevole , stupido - Indipendente , Documentario drammatico - Identità , Inferno - Colpevole

Paese di produzione : Svizzera

Produzione : Bray Entertainment



**_A brilliantly made crime saga about the clash between old-world tradition and new-world corruption_**

> _I am not against telling stories, but I am against glorifying criminals and showing drug trafficking as glamorous. This confuses youths. I receive tonnes of messages from youths asking for help to be like my dad. They want to be that criminal, they send me photos dressed up like him, with his moustache, his hairstyle. Series about narcos have turned my father into a hero and given young people the idea that it is cool to be a drug trafficker._

- Sebastián Marroquín (born Juan Pablo Escobar), speaking about the TV show _Narcos_' depiction of his father, drug lord Pablo Escobar; "Pablo Escobar's son slams TV series for 'glorifying' criminals"; _Agence France-Presse_ (March 6, 2017)

> _Tourists come to Colombia with shirts of Escobar, and it's like an insult to us. It's like glorifying a dictator or Hitler. We were not satisfied with the representation given to drug trafficking in Colombia._

- Cristina Gallego; "Director Cristina Gallego on making a _Godfather_-style crime story that honours the Wayúu" (Steve Macfarlane); _Remezcla.com_ (October 10, 2018)

> _We feel that there has been a glorification of criminals, which has been really painful for our country. It's very hard to see Pablo Escobar become a hero to a generation, because his process was really a process of destruction - the moral destruction of our whole country._

- Ciro Guerra; "_Birds of Passage_ directors say they found the real story of narco trafficking from the women, not the men" (Matt Donnelly); _The Wrap_ (November 16, 2018)

Unlike any gangster/drug movie you've ever seen, _Pájaros de verano_ [_Birds of Passage_] is from the same team that made the astonishing _El abrazo de la serpiente_ [_Embrace of the Serpent_] (2015), and presents a thematically similar narrative, looking at the disintegration of an ancient indigenous culture over a period of years. However, whereas _Abrazo_ depicted an Amazonian civilisation corrupted by the West, _Pájaros_ deals with the Wayúu people of the Guajira Peninsula in northern Colombia, whose traditions and way of life are decimated by the marijuana trade during the 1970s. Written by Maria Camila Arias and Jacques Toulemonde Vidal from a story by Cristina Gallego, and directed by Gallego and Ciro Guerra (the married couple who produced and directed _Abrazo_, respectively, and who got divorced during the filming of _Pájaros_), the film spans a 13-year period from 1968 to 1981, during which time the importance of practising sacred rituals is replaced with stories and myths about the importance of practising sacred rituals.

Thematically focused on the clash between ancient tradition and modern greed, the film is deeply respectful of the Wayúu, with Gallego and Guerra clearly troubled by the cultural losses concomitant with monetary prosperity. In this sense, the film is partly an ethnographic study that tasks itself with preserving as much as it can of Wayúu tradition, and partly a genre film depicting the rise and fall of a drug kingpin _á la_ Brian de Palma's _Scarface_ (1983). Allowing genre to inform anthropology and anthropology to enrich genre, _Pájaros_ strikes a broadly successful balance throughout, resulting in a film that consistently depicts familiar genre tropes in a manner which audiences will find unique, especially those whose only familiarity with this _milieu_ comes from shows like _Drug Wars_ (1990-1992) and _Narcos_ (2015-2017), and Americentrist films such as Ted Demme's _Blow_ (2001), Brad Furman's _The Infiltrator_ (2016), and Doug Liman's _American Made_ (2017). On paper, it could be dismissed as just another gangster film, and although their adherence to the genre template does occasionally work against the story they're trying to tell, Gallego and Guerra have made a beautifully nuanced, aesthetically exceptional, and deeply lamentative film.

Loosely based on a true story, and divided into five sections - "Canto I: Wild Grass" (1968), "Canto II: The Graves" (1971), "Canto III: Prosperity" (1979), "Canto IV: The War" (1980), and "Canto V: Limbo" (1981) - _Pájaros_ opens in a Wayúu village in 1968, with a ceremony celebrating the coming of age of Zaida Pushaina (Natalia Reyes). Under the tutelage of her mother Úrsula (Carmiña Martínez), Zaida has spent the last year in confinement, as is Wayúu tradition, learning handicrafts such as knitting and weaving. The ceremony also doubles as a courtship ritual, with Rapayet (José Acosta) making a claim on Zaida. However, as a small trader of coffee and liquor, he is considered Zaida's social inferior, and was only at the ceremony because his uncle Peregrino (José Vicente Cote) is a "_pütchipü'ü_" [word messenger]; a vital figure in Wayúu culture who objectively mediates between disputing parties. Hoping to put Rapayet off her daughter, Úrsula assigns him a dowry far beyond his means - thirty goats, twenty cows, two sacred necklaces, and two decorative mules. Desperate to marry Zaida, however, Rapayet seizes on something suggested by his business partner, Moisés (Jhon Narváez), a non-Wayúu who has pointed out that the local American Peace Corp are looking for someone to buy weed from to bring it back to the US. Selling them the marijuana grown on the remote and heavily-guarded farm owned by his cousin Aníbal (Juan Bautista Martínez), Rapayet is not especially bothered that such illegal trade is frowned upon by the Wayúu, and he quickly makes enough money to secure the dowry, marrying Zaida, and eagerly embracing his new-found _parvenu_ status within the community. By the time we reach Canto II in 1971, Rapayet and the increasingly hot-headed and reckless Moisés are working with a large importer/exporter, flying planeloads of weed across the border, and making so much money they have to weigh it rather than count it. However, as time passes, and the business becomes bigger and bigger, the Wayúu begin to resent the presence of so many "_alijuna_" [outsiders] who have no respect for their traditions or culture. Working as his advisor, Úrsula warns Rapayet to tread carefully, but as the profit continues to escalate, so too do the tensions between the various players, compounded by Úrsula's cruel and uncontrollable son Leonídas (Greider Meza), who has grown up amidst corruption, decadence, and amorality, and who has no time for Wayúu tradition. When he commits a hideous crime, verbal disagreements quickly turn into tit-for-tat violence, and that violence threatens a war that could destroy the Wayúu entirely.

Historically, _Pájaros_ touches on four periods of huge national significance in Colombia; it begins ten years after _La Violencia_ [1948-1958], a civil war fought between the _Partido Conservador Colombiano_ [Colombian Conservative Party] and the _Partido Liberal Colombiano_ [Colombian Liberal Party], and four years after the commencement of the "Colombian Conflict", an unnamed low-intensity civil war fought between multiple groups that is ongoing today; Canto III, Canto IV, and Canto V are set during the years of the _Bonanza Marimbera_ [1975-1985], when drug trafficking first soared; and the film ends just prior to the ascension of Pablo Escobar in 1982. That _Pájaros_ is aiming for a grand, folkloric tale of national significance, along the same lines as more traditional Colombian myths such as _La Llorona_ or _El Mohan_, is seen in the fact that it both begins and ends with a blind bard (Sergio Coen) narrating the events; telling us this is a story of "_love and desolation, wealth and pain_" and it depicts "_how a great family destroyed itself_". Taken directly from the Homeric tradition, the presence of this figure immediately indicates the kind of story this is. Structurally and in terms of characterisation, the film evokes Francis Ford Coppola's _The Godfather_ (1972) - it opens with a prolonged celebration, and regularly features scenes of people eating, as well as social events; Rapayet is a Michael Corleone figure, a good man corrupted by his own success; Moisés is a mixture of the sybaritism of Fredo and the volatile unpredictability of Sonny; Úrsula recalls the scepticism of Kay Adams and the wisdom of Carmela; Aníbal is Virgil Sollozzo, antagonistic and convinced of the strength of his position; Leonídas is Carlo Rizzi, unconcerned with honour or tradition, who looks down on everyone around him. Additionally, the _dénouement_ unmistakably has something of a _Scarface_ vibe about it.

Aesthetically, although not as striking as the extraordinary _El abrazo de la serpiente_, _Pájaros_ still looks fantastic. Cinematographer David Gallego really captures the colourful essence of the Wayúu with his rich and textured photography and striking compositions. He also does a fantastic job in his depiction of the vast openness of the desert, with exquisitely composed shots that make full use of the 2.35:1 format. Characters are often dwarfed by the immensity of the desert background, as if their transient existence is insignificant in the face of nature, which, of course, it is. In terms of performances, Carmiña Martínez is the standout. Born in Guajira and with Wayúu roots, she plays Úrsula with an extraordinary degree of depth and gravitas, as someone used to being in a position of authority, and not having that authority questioned. However, even she realises she is out of her depth in Rapayet's drug smuggling, and Martínez taps into the similarities between Úrsula and the queen in any number of Greek tragedies, someone whose beliefs are grounded in ethics, but who is on a preordained path of tragedy from which she cannot escape. And just as the gods were indifferent to the suffering of Euripides's Medea and Sophocles's Electra, so too are the deities of the Wayúu.

Throughout the film, the economy of Gallego and Guerra's visual language is striking. For example, early on, Rapayet, Zaida, and Úrsula are all shown living in small thatched huts made of stone and wood. Later, however, they live in in a heavily guarded sprawling modernist mansion in the middle of the desert, where anyone approaching the house can be seen for miles off. For them, the house symbolises their success. For the audience, however, it's a symbol of the crass absurdity of their opulence. Another example is that, initially, we see Rapayet and Moisés using only one plane to carry their weed, but later, there is a fleet of planes at their command, telling us in one shot how much the scale of their operation has increased. Tied into this is that in the early parts of the film, people trade and negotiate via goats, but by the half-way point, people are paying one another with crates of automatic weapons.

Speaking of aesthetics, although they remain within the parameters of the crime drama, depicting the rise and fall of a gangster, Guerra and Gallego are more concerned with the impact of the drug trade on the Wayúu than the drug trade itself. Uninterested in going into detail about the logistics of Rapayet's operation, there's no montage of planes being loaded with hemp, no tension-filled scenes of interfering law enforcement, no scenes of excessive hedonism based on the spoils of the trade (although Moisés does like a good party). Instead, they use the genre template as a platform from which to examine the clash between the ancient local traditions of the Wayúu and the ubiquitous and corruptive nature of monetary accruement as found in the twentieth-century world at large. The Wayúu are proud of how deep their customs run and how long they have maintained them, pointing out they've survived encounters with the English, Spanish, Portuguese, French, Dutch, and various modern-day Colombian governments. However, their nonconformist and isolationist ideology has never faced anything as insidious as the avarice introduced by Rapayet.

Just how corruptive it is, is seen in Leonídas, a boy who takes wealth for granted and who has never wanted for anything. Thus, he has no respect for anything or anyone - his very soul is built on Mammonism and everything he does is based on entitlement, with the culture of the Wayúu powerless to combat such a person. In perhaps the film's most disturbing scene, after being chastised for his behaviour by Rapayet, Leonídas "proves" his manhood by telling a poor man that if he eats a piece of dog faeces, he will give him a wad of bills. At first, the man refuses, but temptation takes over, and he forces himself to eat the excrement, as Leonídas looks on and laughs, subsequently throwing the money at the vomiting man. Nothing in Wayúu history has ever prepared them for this level of barbarism.

In this sense, much as was _Abrazo_, where indigenous cultures were corrupted by (often well-meaning) western explorers and missionaries, _Pájaros_ is fundamentally about the clash between tradition and modernity; an exchange-based economy built upon codes of honour and reciprocity destroyed by greed, materialism, and an ever-escalating series of violent reprisals and deepening mistrust. In depicting the society before the birth of the drug trade, however, Gallego and Guerra are trying to reclaim Colombia's history for Colombians. The _Bonanza Marimbera_ and the years of Pablo Escobar are all a lot of people know about the country, with their knowledge coming from films made almost exclusively by non-Colombians for non-Colombians. In interviews, the directors have expressed distaste with the glorification of Escobar, the fact that he has been turned into a folk hero of sorts; Gallego has spoken about how it pains her to see people come to the country wearing t-shirts with Escobar's face on them, whilst even Escobar's own son has spoken out against _Narcos_, arguing the show glamorises the drug trade. Gallego and Guerra argue that an entire generation of indigenous people have been forgotten about, a people who were laid waste by the years of excess during the _Bonanza_ and the horrific violence of the Escobar years.

Trying to commit as much of the Wayúu culture as they can to film in an effort to preserve it, they are thus performing an anthropological service; the film is about the importance of cultural memory, but so too is it a part of that memory. Throughout, we are immersed in Wayúu culture, and Gallego and Guerra don't need to go into detail about the ins and outs of dream analysis, the complex systems of hegemony and protocol, the exchange-based economy, or the specifics of why one necklace is sacred but another is not. We're shown enough to understand how these people live - the centrality of family, the respect for the natural world, the reverence for the dead, the significance of communal ritual, the importance of ancient customs and superstitions. Above all, however, their primary value in all things is honour, which is why Rapayet getting involved in drug smuggling is so controversial for the village. Indeed, at one point he is told, "_you no longer act as Wayúu, you act like alijuna_"; one of the deepest insults imaginable in this _milieu_, driving home that, yes, he may be making money, but he has lost his cultural soul in the process.

The film makes its intentions known in the opening scene, which is built around Zaida's ceremony, just as _The Godfather_ indicates its main focus with the opening depiction of a wedding. Without any dialogue, the scene establishes the socio-political centrality of ritual in Wayúu society and introduces us to the social hierarchies and spiritual beliefs. This opening scene is contrasted with a later scene depicting a "_second burial_"; a custom where a casket is unearthed and opened, and the bones of the deceased cleaned and reburied. In this scene, although the importance of the ritual is just as paramount as in the opening, unlike in that scene, this ritual is surrounded by men armed with machine guns; a brilliant bit of cinematic shorthand to show us how much has changed. In another example, after doing something to anger a rival clan, Leonídas is hidden away in a hut, and Úrsula performs a protective incantation. Leonídas, however, is unimpressed, saying he'd be happier if he was surrounded by men with guns. Elsewhere, a motif running through the film is the threat of a locust infestation, and when violence inevitably erupts, it's presented like a plague on the land, something that cannot be contained and that will blight all it touches.

In terms of problems, there are a few. For one, Rapayet is an extremely stoic character, about as forceful as Fredo Corleone, and very vaguely defined. In this sense, he doesn't really come across as a person with an interiority, so rather than being someone who pursues things, he is someone to whom things happen, a cypher at the mercy of what the writers need him to be at any given moment. Because of this, he doesn't really have much of an arc - he's essentially the same person as a drug lord as he was when he traded coffee and liquor. Along these lines, Zaida fares even worse. Despite the opening scene suggesting her centrality to the narrative, once she and Rapayet are married, she essentially becomes a background extra, having next-to-nothing to do as Rapayet and Úrsula dominate proceedings. Additionally, at times, the demands of the genre do impinge somewhat on the narrative, with an action scene late in the film feeling out of place (although to be fair, the way it's shot makes up for the scene itself feeling fairly rote).

These few issues notwithstanding, _Pájaros de verano_ is an exceptional film, and, off the top of my head, I can't think of another movie which captured the clash between the old and new worlds quite as powerfully, with the possible exception of Terrence Malick's _The New World_ (2005). A melancholy corrective to Fernando León de Aranoa's _Loving Pablo_ (2017), Pájaros tells a story of a traditional culture decimated by greed. Making a powerful statement about what has been lost, by and large, Gallego and Guerra handle the integration of ethnographic study and genre film very well, with the movie as a whole serving as an excellent example of how talented filmmakers can use genre to serve their own thematic ends without necessarily making a genre film. Neither a thriller with some local details thrown on top nor a documentary with a manufactured dramatic structure, _Pájaros_ is compelling and heartfelt throughout. The film's sense of detail, its cultural specificity, and the tragic inevitability of the story it tells serve to fuse the socio-political, the ethnographic, and the thriller into a whole that is unlike any drug film you're likely to see.
‘Birds of Passage’ feels like a gangster epic anchored by a people seeing their world view slowly slipping from their sight. It manages to make a narco narrative feel new and visually stunning on a broad dreamlike canvas, taking a creaky old Hollywood genre and moulding it into something altogether more entrancing.
- Jake Watt

Read Jake's full article...
https://www.maketheswitch.com.au/article/review-birds-of-passage-a-visually-stunning-narcotised-gangster-epic


Comunismo - Colonna sonora Birds of Passage x production 101.5 3 krrish ocean's 8 ita per tutti frozen m et mme adelman come insieme a distanza il voglia di tenerezza lady j streaming 1 2 2 judwaa.

The Day Shall Come 2019 Streaming ITA Openload

The Day Shall Come 2019 Streaming ITA Openload









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The Day Shall Come 2019 Streaming ITA Openload




Filmteam

Dipartimento artistico di coordinamento : Rhea Beltran

Coordinatore degli stuntman : Livvie Conway

Layout dello script :Sophea Halimah

Immagini : Mithush Zaccary
Co-Produzent : Neville Cameran

Produttore esecutivo : Megan Steeven

Direttore della supervisione artistica : Braylon Zekai

Prodotti : Lipietz Atrina

Produttore : Yareli Lesha

Attrice : Vikesh Teja



An impoverished leader of a small religious commune in Miami, is offered cash to save his family from eviction. He has no idea his sponsor works for an FBI agent, who plans to turn him into a criminal by fueling his madcap revolutionary dreams.

5.3
15






Titolo del film

The Day Shall Come

lalunghezza

174 minutes

ildisinnesto

2019-10-11

La Qualità

WMV 1440p
BDRip

Categories

Comedy

Il idioma

English

Castname

Valerie
T.
Saliha, Razat Y. Jeylan, Macias Z. Elwanda





[HD] The Day Shall Come 2019 Streaming ITA Openload



Cortometraggio

Speso : $468,576,823

Entrate : $727,715,443

Categoria : Divertente - Inquinamento , Idee - Lesioni , Matematica - Benzina , Documentario - Semplice

Paese di produzione : Mozambico

Produzione : Rucksack Productions



While ‘The Day Shall Come’ never takes its scathing satire to its limits, it’s an enjoyable romp that’s sure to divide audiences as much as it makes them laugh. The end credits are a chilling reminder of why films like this exist in the first place.
- Ashley Teresa

Read Ashley's full article...
https://www.maketheswitch.com.au/article/review-the-day-shall-come-a-hilarious-take-on-a-flawed-system
**_Not a patch on_ Four Lions_, but you can never go too far wrong with Chris Morris_**

>_Americans are always at the mercy of the evil doers everywhere, including those distinctly in our midst with mayhem in mind. Our military is an under financed wreck, our Navy practically a set of dinghies, a Muslim is even in the White House, a malign climate-change movement is eager to destroy capitalism as we know it, women's bodies are enough of a danger to shut the government down, immigrants are potential terrorists or rapists, and so on and so forth through a litany of strangely woven fantasies a__nd factoids._

>[...]

>_In this context, while the US military pursues its failing wars, interventions, and raids abroad, while the national security state develops ever more mechanisms for snooping, surveilling, and controlling populaces at home (as in the recent essentially unprecedented security lockdowns of major American cities "for" the pope), many of the country's citizens are increasingly living inside a fact-challenged fantasy of a country, a victimized superpower. Boogiemen lurk around every corner, as do high crimes and dark conspiracies, and any sense of responsibility for what the United States has done in the world in these last years is missing in action._

- Tom Engelhardt; "The Most Exceptional Thing About America Is Our Paranoia"; _The Nation_ (September 29, 2015)

> _It sort of works like this – you're freaked out by 9/11, you have to cover yourself because you're implicated in some of the sloppy procedures that led to 9/11, so you talk the threat up, you say there's a sleeper cell in every city and then you go and find it. Now, you don't know what you're looking for, and classically in the FBI, you talk about other people, the Other, you look at brown and black people because they are more likely, you think, to be a problem. And if somebody sticks their head up in one of those communities, then you surround them with 'false friends', informants who will offer them money and friendship to try to lure them along a carefully scripted program of self-incrimination, which results in that person going to jail. And you'll say to the court, as a prosecutor, "_is it better that this person go to jail, or should we let them back out on the streets?" And the juries always say, "better put them in jail_."_

>[...]

>_In real life, what happened was there was a story on British TV news about supposedly the biggest plot since 9/11, about an army planning to launch a full ground war on the US, based in Miami. And it turned out, three years later I bumped into somebody involved with the trial, who said that ground war was actually seven construction workers who were going to ride into Chicago on horses – this was not a really serious terrorist plot. They had just been wound up by an FBI informant. They had no money, and the informant was offering a lot of cash and so they riffed a crazy scheme to try to get this guy to give them money. So that true story, along with loads of others, informs the story which is in the film, and in that case, in the Liberty City Seven case, six out of seven of them were Haitian Catholics._

- Chris Morris; _Channel 4 News_ (October 2, 2019)

It can't be easy to write effective political satire at a time when the headlines of _The Onion_ and _Waterford Whispers_ don't read that differently from the headlines of _The New York Times_ and _The Guardian_. Truly, we are in an epoch where many public figures have become the satirical apotheoses of themselves, making it difficult to satirise either them or the institutions that enable them. Difficult, but not impossible, certainly not for a satirist as talented as the legendary Chris Morris (_The Day Today_; _Brass Eye_; _Nathan Barley_; _Four Lions_), who was pedalling 'fake news' long before Donald Trump decided to destabilise the entire geopolitical sphere, all the while claiming he won the popular and that the people of France were chanting his name during protests against Emmanuel Macron.

Written by Morris and Jesse Armstrong and directed by Morris, _The Day Shall Come_ is inspired by real-life incidents such as the Liberty City Seven and the Newburgh Sting, and aims its satirical ire at the FBI and how they conduct themselves in relation to terrorist cells within the US. And as one would expect from Morris, it's darkly comic until it turns deadly series, a transition that drives home the concept that, yes, what the FBI is doing is farcical and satire-worthy, but so too is it destroying lives, and that isn't especially funny. It's a very delicate balancing act, but Morris pulls it off for the most part. As politicians, journalists, and law enforcement scramble to turn the entire planet into a Harold Pinter play, Morris's is a voice that deserves to be heard, and although _The Day Shall Come_ isn't a patch on the superb _Four Lions_, it's still a bitingly funny study of institutionalised paranoia, garnished with some good old-fashioned racism.

Miami, FL; poverty, racial disparity, and gentrification have created an underlying tension in the city, as the gap between rich and poor continues to widen. Moses Al Shabaz (a superb debut performance from Marchánt Davis) is a self-proclaimed preacher and the leader of Star of Six, a revolutionary group that worships Allah, "Black Santa", and Toussaint L'Ouverture, and that aims to overthrow the "_accidental dominance of the white people_". However, there are significant problems; Moses and his wife Venus (the always eye-catching Danielle Brooks) are close to being evicted, Star of Six has no money and only four members, and Moses refuses to use guns. He also has mental health problems, and his plan to overthrow white dominance is to call upon the dinosaurs held in stasis by the CIA. When he doesn't take his medication, he's also prone to hallucinations – evidenced insofar as he's convinced that his horse can talk and that both God and Satan are speaking to him through a duck. However, despite having the "_threat signature of a hot dog_", Star of Six end up on the FBI radar, monitored by the idealistic Agent Kendra Glack (Anna Kendricks). With Glack's superior, Agent Andy Mudd (the always fantastic Denis O'Hare), determined to uncover "_the next 9/11_", he orders Glack to find evidence that Star of Six is engaged in terrorist activity, and if no such evidence exists, then she should fabricate some, because it's easier to manufacture a fake terrorist than it is to find a real one. And so begins a farcical series of events, involving an air horn, a sheikh affiliated with al-Qaeda, a group of Neo-Nazis, weapon-grade uranium, ray-guns, a lot of beans and urine, a nuclear emergency in Miami, another nuclear emergency in Miami, a donut shop, a toy crossbow, and a rocket launcher.

_The Day Shall Come_ was inspired by real-life incidents such as the Liberty City Seven (where seven men were convicted of terrorist activities after a sting operation in which the FBI persuaded them to begin planning for an attack on Chicago) and the Newburgh Sting (where the FBI manipulated four Muslims to become more militant, with the aim of shooting down American aircraft flying out of Stewart Air National Guard Base in Newburgh, NY. All four were convicted of terrorist activity). After the initial arrest of the Liberty City Seven, Attorney General Alberto Gonzales announced that the group, who called themselves the Universal Divine Saviors, were jihadi terrorists who had been preparing for "_a full ground war against the United States_". His comments, however, weren't even a little accurate. In actual fact, the Saviors planned to ride into Chicago on horseback, meeting any resistance by charging at them cavalry-style. They also planned to blow up Willis Tower, which would fall into nearby Lake Michigan, with the resulting tidal wave flooding the city. So, you know, very practical stuff. Morris heard about the case and Gonzales's claims in a UK news report, and three years later, he met someone who'd been involved with the Saviors' trial. This person told him the truth about the case – that the people supposedly planning "_a full ground war_" were a group of seven unemployed construction workers, who had been offered $50,000 by an FBI informant to begin planning for an attack on Chicago. As they were broke, they accepted the cash, subsequently riffing ideas until they came up with their Willis Tower ideas. Additionally, despite Gonzalez intimating that the Savors were jihadis, they were, in fact, Haitian Catholics. As Morris began to research, he learned that such absurdities were not confined to the Liberty City Seven case. Straying dangerously close to entrapment, since 9/11 it had become standard operating procedure for FBI informants to actively encourage persons of interest to engage in terrorist activities. And when they do, the FBI arrest them. This utterly insane manner of business forms the spine of the film.

Like most of Morris's work, _The Day Shall Come_ is a Juvenalian satire. Is it as funny as _Four Lions_? No. Is it as funny as _The Day Today_ or _Brass Eye_? God in heaven, no (what is?). However, you simply can't go too wrong with Chris Morris, and there are plenty of laughs to be found here. For example, there's the terror suspect who an FBI informant is trying to get to dial a number to detonate a nearby bomb, but who refuses to press the number five, proclaiming, "_I'm scared of fives. Five is evil_", to which Mudd, who's listening in on the conversation, reacts by screaming, "_did we know he was a pentaphobe?_" Because that's a thing.
Especially funny is the exchange between Mudd and Glack as Mudd explains that to diffuse the nuclear emergency declared by the Miami PD, she must also declare a nuclear emergency;

> **Glack**: _What do you need from me, sir?_

>**Mudd**: _Right, well, we know this emergency is groundless._

>**Glack**: _Correct. Right._

>**Mudd**: _But the emergency exists. And you can't take control of something if you're saying it doesn't exist._

>**Glack**: _Okay._

>**Mudd**: _So we have to acknowledge that the emergency exists._

>**Glack**: _Eh...yeah, well, no. Sorry, if we say, "Yes, it exists" isn't that the same as declaring a nuclear emergency ourselves?_

>**Mudd**: _Technically yourself, but, yeah._

>**Glack**: _So...to stop a nuclear emergency I have to declare a nuclear emergency?_

>**Mudd**: _Yes. The logic only works if you say it slowly. Keep the contradictory elements apart._

>**Glack**: _I'd look insane._

>**Mudd**: _Only if you say it fast._

This exchange is a pretty good example of the type of comedy featured throughout the film, layering the ridiculous on top of the farcical. There's also a very definitive Armando Iannucci vibe, recalling some of the more irreverent conversations in _In the Loop_ (2009) and the criminally underrated _The Death of Stalin_ (2017). This shouldn't come as a surprise given that Iannucci co-created _The Day Today_ with Morris (amongst others) and the two also worked together on Veep.

Elsewhere, Miami Chief of Police Settmonk (James Adomian) gives us another good example of Morris's use of absurdity when he argues, "_unarmed white man, unarmed black man. Which one is more likely to have the gun?_", a line that's hilarious on its own, but profoundly troubling when applied to a real-world context (as all good satire should be). Another line worth mentioning is when Mudd and Glack are debating the merits of what they're doing – Glack feels they're straying perilously close to entrapment, but Mudd argues that they have to employ such extreme measures, or their entire way of life would be in jeopardy and "_the next thing you know, the Statue of Liberty's wearing a burqa and we've beheaded Bruce Springsteen._" Again, a funny line, but given the irrational hysteria and baseless paranoia that forms the basis of how so many Americans feel about Muslims, once again, we can see Morris alluding to very troubling aspects of the American psyche without coming right out and saying, "_you guys are nuts._"

On the film's official website, Morris writes, "The Day Shall Come _reflects how institutionalised paranoia corrupts our thinking._" The line about the Statue of Liberty is a good example of this, but the theme is peppered throughout the film, with no less than five references to a "_black jihad_" (a concept that seems laughable to sane ears, but is not so far-fetched when one realises that 31% of Americans believe a race war is imminent). However, despite the heavyweight theme, Morris never allows the film to become didactic – the truths he espouses are always subtly layered with the comedy beats. Again, the Statue of Liberty line is a good example, as is the "_unarmed black man_" line – lines in which Morris is addressing hugely important issues, but without ever giving the impression of talking down to the audience; he's certainly being irreverent and sarcastic, but at no point does he become condescending or patronising. This is a very difficult line to walk, but anyone familiar with _The Day Today_ or _Brass Eye_ will recognise Morris's ability to viciously critique social ills without sounding preachy. Indeed, towards the end of the film (and like _Four Lions_, _The Day Shall Come_ gets extremely dark and devastatingly serious as it approaches its _dénouement_), Morris distils everything down to a very simple maxim – the conduct of the FBI may be absurd, but it has a very real human cost. Yes, we can (and probably should) laugh at the bureaucratic nonsense, general ineptitude, and shocking amorality, but that does not imply we should laugh at the results. The FBI's operational norms may be the stuff of farce, but those farcical norms are putting real people (who are almost exclusively poor and black or brown) in jail for a very long time. Which turns out to be a not especially funny punchline.

_The Day Shall Come_ isn't Morris's best, but it is still Chris Morris, and so it deserves attention. Irreverent, sarcastic, condemnatory, and politically incendiary, the film posits that the FBI is doing more harm than good as they target poor communities in the hopes of finding someone (anyone) planning the next 9/11. And if they can't find someone, they'll create that someone themselves. All in the name of good optics. As funny as it is, the film is also bracing and, by the time the end credits roll, sobering. And perhaps Morris's greatest achievement here is to present something comical to the audience, encourage us to laugh at it, and then pull the rug out from under us, showing us that it may not have been all that funny to begin with.


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Trauma Therapy 2019 Streaming ITA Openload

Trauma Therapy 2019 Streaming ITA Openload









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Trauma Therapy 2019 Streaming ITA Openload




Squadra di Film

Dipartimento artistico di coordinamento : Evie Hershel

Coordinatore degli stuntman : Ankita Darcie

Layout dello script :Rekar Negra

Immagini : Harmani Aurore
Co-Produzent : Denyse Delteil

Produttore esecutivo : Pitts Locard

Direttore della supervisione artistica : Ilhan Gauchet

Prodotti : Branson Ansel

Produttore : Clovis Comeau

Attrice : Niki Krige



A group of broken souls attend a self-help seminar at a remote wooded retreat with a famous guru. In search of better lives, they must confront their deepest demons in the midst of their fellow wayward strangers. As they get pushed further and further by the program, they begin to confront their personal problems. But as their group therapy sessions become increasingly volatile - including lie detectors, fire arms, and experimental drugs - they begin to question the methods in spite of the results. What is their guru's real goal, and will his reckless pursuit of life change moments end up saving them...or destroying them?

6
2






Titolo del film

Trauma Therapy

ladurata

123 seconds

laedizione

2019-10-10

La Qualità

DTS 1440p
Blu-ray

Categories

Thriller

Il linguaggio


Castname

Sumrah
P.
Candide, Daphné K. Maena, Gaëlle D. Tisha





[HD] Trauma Therapy 2019 Streaming ITA Openload



Cortometraggio

Speso : $191,819,698

Entrate : $646,142,042

Categoria : Marketing - Tu figlio , Musicologia - Trascurare , Credenza - idea, Spionaggio - Senza categoria

Paese di produzione : Senegal

Produzione : Aladeen Studios






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Kamis, 26 April 2018

Shirley 2020 Streaming ITA Openload

Shirley 2020 Streaming ITA Openload









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Shirley 2020 Streaming ITA Openload




Filmteam

Dipartimento artistico di coordinamento : Éloise Rihanna

Coordinatore degli stuntman : Carlo Roxann

Layout dello script :Joleigh Corbyn

Immagini : Pelland Gustav
Co-Produzent : Eleniak Rayssa

Produttore esecutivo : Jahid Saketh

Direttore della supervisione artistica : Zanta Pham

Prodotti : Vicki Camelia

Produttore : Jemel Arsène

Attrice : Catryn Leondra



A famous horror writer finds inspiration for her next book after she and her husband take in a young couple.

8
1






Titolo del film

Shirley

lalunghezza

181 minutes

Laliberazione

2020-01-25

La Qualità

MP4 1080p
DVD

Categories

Drama, Thriller

Il idioma

English

Castname

Huon
C.
Ivette, Angla S. Daigle, Alsatia F. Nikayla





[HD] Shirley 2020 Streaming ITA Openload



Cortometraggio

Speso : $322,971,193

Entrate : $820,151,232

Categoria : Credenza - Fratelli , Horror - Impressionista che impara i pavimenti giudiziari Wildlife Film Avventura , Grande - Césarisé , Pezzo di vita Amore - Universo

Paese di produzione : Liberia

Produzione : 360 Magazine






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Rabu, 25 April 2018

Ice Age: Collision Course 2016 Streaming ITA Openload

Ice Age: Collision Course 2016 Streaming ITA Openload









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Ice Age: Collision Course 2016 Streaming ITA Openload




Squadra di Film

Dipartimento artistico di coordinamento : Ionel Donnel

Coordinatore degli stuntman : Pétain Eljon

Layout dello script :Marley Yehiel

Immagini : Prouvé Eeman
Co-Produzent : Anora Medhi

Produttore esecutivo : Yacqub Yitian

Direttore della supervisione artistica : Carmine Potvin

Prodotti : Mérode Ginette

Produttore : Vallin Rishal

Attrice : Jaydon Selah



Set after the events of Continental Drift, Scrat's epic pursuit of his elusive acorn catapults him outside of Earth, where he accidentally sets off a series of cosmic events that transform and threaten the planet. To save themselves from peril, Manny, Sid, Diego, and the rest of the herd leave their home and embark on a quest full of thrills and spills, highs and lows, laughter and adventure while traveling to exotic new lands and encountering a host of colorful new characters.

5.9
2699






Titolo del film

Ice Age: Collision Course

lalunghezza

137 seconds

Laliberazione

2016-06-23

E Pregio

M1V 720p
Bluray

Categoria

Adventure, Animation, Family, Comedy

Il lessico

English

Castname

Jeannie
M.
Larin, Voletta T. Aïssata, Adelyn O. Habib





[HD] Ice Age: Collision Course 2016 Streaming ITA Openload



Cortometraggio

Speso : $569,049,006

Entrate : $297,529,560

Categoria : Idee - epidictic , Guru - Epidemia di montagna selvaggia , Non importa - Scuse , Telefilm Melodramma - Tu figlio

Paese di produzione : Isole Salomone

Produzione : Crime Pays


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